Using Dartford's Cellulose paints on my Fiesta Red Stratocaster project guitar
Bare bones of the Hank Marvin Stratocaster project -
Mexican Std 2018 neck, locking Tuners for the neck and
Kinman Impersonator pickups for the 'engine.'
For this project, I started with a bare wood Hosco Vintage pattern Stratocaster Alder body with the intention of finishing it with Cellulose guitar paints from Rothko and Frost's Dartford's product range.
The guitar body was carefully sanded down and I used Dartford's White sanding sealer 400ml aerosol as the base coat.
White sanding sealer
Fender use a grain sealer on their guitars which is sprayed on and does what the name implies, fills any irregularities of the wood. Most bodies are sanded well and I used a very light fine paper flour grade type to get a final finish.
The Hosco body with White Sanding Sealer Primer applied, ready for top coat
The Hosco bodies are very well made and finishing before spraying is negligible.
Application
Application
I found with the sanding sealer that it seems to get 'sucked in' to the wood on the initial coat. I sprayed a tack coat on and watched it almost disappear and the wood 'fuzz' up in places where little strands stood up. But not to worry....
I simply waited until the coat had dried and they broke off. I ensured that they would not cause any visual defects and applied a few more coats of the sealer, allowing it to do it's job of filling and sealing.
Left to dry for a few days, I then set about carefully rubbing down with 1200 grade wet and dry paper. I used water with a few droplets of washing up liquid as this stops the paper clogging.
The filler part does clog the paper, so you need to rinse the paper and remove the wet slurry from the guitar surfaces and wipe with wet kitchen paper. Once the rubbing down was done, I wiped over with clean running water and dried the body. The body was washed again before the top coat and thoroughly dried.
Hycote Filler primer - extra step
I decided to use Hycote Filler primer from a 400ml aerosol as an intermediate paint layer as it works with both Cellulose and Acrylic paints and provides a strong white blocking colour base. As I was going onto what had been a bare wood body, I know that paints can sink and these Acrylics tend to work well, it may not have been necessary to use this, but I wanted a really sound finish. In time the paint may sink as Cellulose is prone to do.
First Fiesta red top coat applied -
it looks redder than it really is due to the lighting.
Dartford's Cellulose 400ml Fiesta Red top coat
I was very pleased with the colour match on this paint, it looks very much like the original Pre-CBS colour I found inside a 1961 Stratocaster trem route which I had the colour copied.
The white primer rubbed down, I decided to go for the final coat stage. The Fiesta Red went on well, I sprayed a 'dust coat' over to see how the paint would go on to the body for speed of the paint from the can and covered the guitar over, applying a thicker coat over this and leaving it to dry.
Fiesta Red top coat applied
The next coats were done close together, allowing the paint to almost dry. They weren't thick coats but enough to give good coverage. The remainders would be done the next day if the weather was good and after a careful light rub down.
The paint flowed out well, there was a slight 'orange peel' effect on the surface but this was pretty much gone as the paint relaxed as it dried out.
Fiesta Red top coat in the workshop as sprayed -
it worked well, glossy from the can
Fiesta Red top coat might look 'pink' -
but in daylight to the eye it looks the right shade.
Overall findings
The paint was the right shade and went on easily. I've sprayed a lot of paints from spray guns and cans and this was easy to use. The coverage was good and you might want 2 cans to do a guitar depending on how thick the finish is to be.
I got a shine from the can and after a day or so, it flowed out as it dried and any slight orange peel was lost almost entirely.
Building up the guitar
The paint did create quite a bit of dust which means that it contains a lot of paint solids and isn't just thinned out leanly, which is why it is not cheap to buy.
Fixed a solder wiring joint problem and it sounds great
I let the paint harden off for around a week, cut it back carefully with Farecla G3 compound by hand and then assembled the guitar up as you can see.
I've now completed the guitar and it sounds and plays nicely.
**Please note that Dartford's have now made their 400ml colour paints a thicker mix and these give better coverage. I have sprayed a Stratocaster body and it looks great even though it hasn't been polished yet.**
